
The traveller in school-books, who vouched in dryest tones for the fidelity to fact of the following narrative, used to add a ring of truth to it by opening with a nicety of criticism on the heroine’s personality. People were wrong, he declared, when they surmised that Baptista Trewthen was a young woman with scarcely emotions or character. There was nothing in her to love, and nothing to hate--so...
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